Posted in Uncategorized, tagged Anne Tyler, Book Bench, Booker International Prize, Carmen Callil, Claire Bloom, Fighters & Writers, Herman Melville, Leaving a Doll’s House, Macy Halford, Marilynne Robinson, Philip Pullman, Philip Roth, Philip Roth Studies, Portnoy’s Complaint, The Counterlife, The Guardian, The Human Stain, The New Yorker, Virago Press on May 18, 2011 |
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Novelist Philip Roth caused a stir by winning the Booker International Prize. Good for him: Literature should provoke strong feelings. One of the three judges, Carmen Callil, quit the committee because of the decision to recognize Roth’s “achievement in fiction” over the course of his long career.
Callil made plain her strong dislike of Roth. “I don’t rate him as a writer at all. I made it clear that I wouldn’t have put him on the longlist, so I was amazed when he stayed there. He was the only one I didn’t admire – all the others were fine,” she said, according to The Guardian. (The others who made the shortlist for the biennial award were Philip Pullman, Anne Tyler and Marilynne Robinson.) Callil also complained that the author of Portnoy’s Complaint, The Counterlife and The Human Stain, among many others, “goes on and on and on about the same subject in almost every single book. It’s as though he’s sitting on your face and you can’t breathe.” She predicted that no one would be reading his work in twenty years.
It takes either an unusual confidence that the world will come around to your point of view or a not so unusual foolishness (unless those amount to the same thing) to declare that someone’s work will not endure. Herman Melville may have been forgotten during his life time, but his books did not end up neglected. It doesn’t take much effort to think of other celebrated writers who regularly return to “the same subject” in their books, which makes that criticism look something less than incisive.
All the same, if Callil doesn’t enjoy Roth’s writing, fine. But as Macy Halford at The New Yorker’s Book Bench points out, it is ridiculous to agree to join a judging panel but quit in a fit when the majority doesn’t vote your way.
Unfortunately, the hullabaloo may not have only to do with strictly literary concerns. As Halford also notes, Callil founded Virago Press, publisher of Roth’s ex-wife Claire Bloom’s memoir of their unsatisfying marriage. Perhaps Callil feels some allegiance to Bloom. Then again, she would seem to have reason to hope people will still read Roth in 2031. After all, it seems safe to speculate that interest in Bloom’s Leaving a Doll’s House largely depends on curiosity about Roth.
I confess that I want people to keep reading Roth for my own reasons. I write about him in an essay forthcoming in Philip Roth Studies, and a different but not wholly unrelated piece appears in my collection of pugilistic literary essays, Fighters & Writers.
It’s healthy for readers to argue over writing – if they argue intelligently.
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Posted in Fighters & Writers, tagged Adobe Digital Editions, Amazon, Barnes & Noble, Bookworm, eBook, ePub, Fighters & Writers, Kindle, Magic Scroll, Microsoft Reader, Nook, Powell's on May 17, 2011 |
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Fighters & Writers has been made available in various electronic formats. Here’s the announcement from the publisher:
Mongrel Empire Press is delighted to announce the publication of our first eBook! Fighters & Writers by John G. Rodwan, Jr., has been transformed into three different eBook formats: Nook, Kindle, and ePub. The ePub format can be used with many readers and with free reader software for your computer, such as Adobe Digital Editions, Microsoft Reader, and online readers such as Bookworm and Magic Scroll.
The Nook version is available at Barnes & Noble, the Kindle version is available at Amazon.com, and the ePub version is available at Google Bookstore and Powell’s Books.
Mongrel Empire Press eBooks are affordably priced. Fighters & Writers is available for $8.99; the print version is also available, from Powells, Barnes & Noble, and Amazon, for $18.00.
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Posted in Fighters & Writers, tagged A Dull Roar, Black Flag, Boxing, Detroit Free Press, Fighters & Writers, George Foreman, Heavyweight champion, Henry Rollins, Iggy Pop, Michigan, Muhammad Ali, Rollins Band, Ron Asheton, Rumble in the Jungle, the Stooges on May 4, 2011 |
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Henry Rollins in an interview with a newspaper in my old hometown gave a glimpse of the reason why I included an essay about him in my book Fighters & Writers.
While in Michigan for an Iggy and the Stooges show in honor of late band member Ron Asheton, Rollins in April told the Detroit Free Press of his decision not to use drugs or alcohol:
I’ve always been very ambitious, just trying to get somewhere, and I’ve always been a live performer, making my name onstage. It was never going to be record sales with a guy like me. It’s going to be proving it every night…. Every night is the big one; every single night. So why would you go into a heavyweight boxing match drunk and expect to win?
In a piece called “Rollins on the Road,” I note that the former Black Flag and Rollins Band frontman “maintained a fighter’s physique” into middle age and that he likened his preparation for touring to a boxer’s training regimen. I also mention that Rollins compares himself to the Muhammad Ali of 1974’s Rumble in the Jungle in his book A Dull Roar, where he writes: “The show is George Foreman. I am Ali. I am going to take a beating but I will prevail.” In another essay in Fighters & Writers I point out that Ali similarly attributed his success to never smoking or drinking.
Then again, Rollins in the same Free Press interview also calls Iggy Pop “the heavyweight champion of rock” despite Pop’s rather different approach to living.
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