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Posts Tagged ‘Kevin Canty’

In order to write about them for The Oregonian, The American Interest and other publications, I read a fair number of brand new books in 2010. Nevertheless, I can’t make an honest top-ten list. Here are six that truly stood as exceptional:

  1. Martin Amis’s The Pregnant Widow (Alfred A. Knopf)
  2. Kevin Canty’s Everything (Nan A. Talese/Doubleday)
  3. Don DeLillo’s Point Omega (Scribner)
  4. Charles Goodrich’s Going to Seed: Dispatches from the Garden (Silverfish Review Press)
  5. Randy Robert’s Joe Louis: Hard Times Man (Yale University Press)
  6. Richard Williams’s The Blue Moment: Miles Davis’s Kind of Blue and the Remaking of Modern Music (W.W. Norton & Company)

The short list reflects my tendency to read roughly proportional amounts of fiction and nonfiction. I probably read more poetry in 2010 than in most years, and Goodrich’s small volume was my favorite of several contenders.

The year 2010 saw new books by authors I once thought of as reliably remarkable – Christopher Hitchens, Ian McEwan, Milan Kundera – that I found disappointingly inferior to their earlier efforts. I could name several very good but not quite excellent books. Here’s one: George Kimball and John Schulian assembled a fine collection of boxing-related poems in The Fighter Still Remains. A few years earlier, however, Robert Hedin and Michael Waters edited Perfect in Their Art, an anthology containing much of the same material – and a great deal more.

This leads to the Achilles heel of year-end lists: the absence of the great older stuff. While I read many books published during 2010, I also read many from other years, which are automatically disqualified from “best of” contention but deserve mention all the same. I reread some classics, like Arthur Koestler’s Darkness at Noon and Norman Mailer’s The Naked and the Dead. (I also read several books about Mailer, but these weren’t so good.) I also finally got around to some wonderful books I should have read much sooner, such as Carson McCullers’s The Heart Is a Lonely Hunter and Robert Louis Stevenson’s Treasure Island. If I were to list the ten books I most enjoyed during 2010 regardless of publication date, the four named in this paragraph could be added to the six above.

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Book critics don’t start writing about others’ books out of a compulsive need to find fault or a twisted attempt to build themselves up by tearing others down. Or at least that’s not why I got in the book-reviewing game. A love of literature and a belief that it matters motivates my criticism, whether the reviews are laudatory or condemnatory. I admit to having penned a few somewhat negative assessments. Nonetheless, I also admit that it’s a real pleasure to enjoy without reservation a book assigned for review. I like to like what I read.

This happened with Kevin Canty’s Everything, which I reviewed for The Oregonian (“Glimpses from the front line of midlife,” Sunday, July 11, 2010, p. O12). Here are a few excerpts:

As his title Everything boldly announces, novelist Kevin Canty’s characters confront life’s big issues: shattered love, suffering, disappointment, death – and real estate. …

Canty shapes sharp, spare, highly quotable prose. … [H]e conveys his characters feelings of incompleteness in short, brightly polished sentences (or shards of them). …

While Canty’s themes might suggest gloominess, he animates a smiling existentialism, and Everything can be quite funny. … Even amid “epic pointlessness” a kind of grace operates. Loss may be a certainty, but this provides no “excuse not to live” – or not to laugh.

Simply put, Everything does everything a novel ought to do.

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